I've composited muppets, vampires, werewolves, tigers, comic book heroes, dinosaurs, giant robots, gore and pestilence aplenty. I have worked on summer blockbusters and arthouse indies. I have created pixel animations for video games sold across the globe and illustrated childrens books and collectible card games. I've also worked on video installations that have been featured in the MET and the Lourve. Its all about range. At least, I hope so.
I spent years working in Los Angeles with hundreds of amazing amazing artists on all sorts of projects. However, with more and more vfx work being shipped overseas it became obvious that working within view of the Hollywood sign was no longer the best way to do business. So I came home to the midwest, where I can charge less per project and still maintain the high quality my clients deserve.
We prefer to work as an outsourcer to larger visual effects studios, allowing them to swell their ranks without increasing their overhead. Have a small film that needs cleanup, beauty work or vfx? Great? We can create a bid to fit your indie budget. We dig working with ad agencies whose shots need a little love, but dont love the idea of having an extra staff member on hand every day. Have a book that needs a cover or illustrations? A film that needs a poster? A game that needs more idle assets than you have idle hands? Knights End is where you need to be.
Day to day, Knights End is a studio of one. However, if your project requires, we can expand to a dozen artists overnight. Whatever you need. The long short of it is, I love to create and work with new people. Contact me if you are in need of a visual effects, game or illustration studio.
For a larger list of credits, please visit my IMDB page. I work as a remote compositor in AfterEffects and Nuke, or an on set VFX supervisor in Missouri, Northern Arkansas and Eastern Oklahoma.